#BOSS KATANA 50 REVIEWS PLUS#
Superb versatility plus the Tone Central site offer you nearly limitless opportunities to find the tone you need and use it to record straight away. This amp does wonders when it comes to recording. On a plus side, Katana 50 has a fairly powerful sound, so if the percussion parts in the songs you (or intend to) play aren’t over the top, it might come forward as a good call. Though that may be too much for a home environment, you might want to consider Katana 100 in order to keep up with the drums. The reason why we used the term ‘relatively’ is because it only has 50 watts. If you’re in a band and need a good amp for your studio, Katana 50 is a relatively good option. Fifty watts aren’t much, so if you play on low volume settings (or on your headphones), the chances are that you won’t bother anyone. Home is the place where you can take your time to play around with the effects and sound banks and to tweak them as you wish. Ideally, you’ll use this amp for home practice. It’s bright and full-bodied to the bone, and it’s the only channel that can be used in any circumstance without letting off the ‘digital’ vibe. You can do all sorts of things on it and still retain the vintage like feel if you use actual pedals.
The ‘acoustic’ part of this amplifier is, obviously, the least ‘digitalized’ model. Even in spite of all of the voice models, Katana 50 delivers organic sound, for as long as you’re tweaking with the ‘clean’ channel. In truth, this is a ‘digital’ amplifier, so people who’re looking for the old school vintage like sound might find it hard to get with it, but it’s attainable.
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